Bronze package - one camera
A streamlined one-camera package for ProRes, XAVC and equivalent lower-data production codecs, with verified copies, QC monitoring and organised media.
From R 9,000 REC A-CAM 24.000 FPS
DIT · LIVE GRADE · DATA WORKFLOW
Your footage.
Handled on set.
Configure a DIT package around your cameras, capture format and shoot requirements — from secure copies to live grade and lab storage.
BUILD YOUR DIT PACKAGE →THE DIGITAL WAVELIVE VERIFIED OFFLOAD
● COPYINGA001CAMERA MEDIA
MASTER 01SECURE COPY
68% · VERIFIED
PROFESSIONAL TOOLS
Purpose-built technology across our onset, monitoring and finishing workflow.
FSIFlanders
Scientific
Scientific
SMALLHD
SilverstackLab
LivegradePro
DaVinciResolve
01 / PACKAGE BUILDER
Configure your DIT workflow.
Tell us what you are shooting. Your guide estimate updates as you build.
02 / PACKAGE RATES
DIT, live grade & lab.
Clear starting rates for complete onset workflows. Final pricing follows the selected camera, codec, frame rate and data volume.
Gold package - one camera RAW
An expanded one-camera package for ARRIRAW, REDCODE, X-OCN, ProRes RAW and other high-data capture formats.
From R 13,000Platinum package - multiple cameras
Our highest-capacity workflow for multiple cameras, high-speed capture and sustained high-data rates, with increased media and verification performance.
From R 15,500DITR 4,000 / day
DIT / Live GradeR 4,500 / day
DIT vanR 1,700 / day
Dedicated transport for the DIT cart, monitoring and data equipment.In-camera live gradeR 6,000
Full live gradeR 12,000
Additional monitorR 2,500
Daily upload serviceR 1,000 / day
Includes the first 30GB of uploaded data each day.
31–100GBR 15 / additional GB
Over 100GBR 10 / additional GB
Guide rates excluding transport unless selected. Discounts and final technical confirmation depend on production requirements.
03 / WHAT WE HANDLE
From camera card
to trusted image.
DIT data management
Secure camera and sound offloads to multiple destinations, using checksum verification to confirm that every copied file matches its source. Media is organised, logged and monitored throughout the shoot.
- Three verified on-set copies
- Checksum reports and traceable handovers
- Clip, metadata and camera-roll organisation
- Image QC, exposure checks and playback support
Looks at the camera
A streamlined live-grade setup applies approved monitoring looks through compatible camera outputs and controls, keeping the intended contrast and colour visible without building a full multi-monitor grading station.
- Camera look and monitoring-LUT management
- Fast matching between camera bodies
- Reference stills and look continuity
- Clean log recordings remain protected
Colour-managed monitoring
Log SDI signals are routed through dedicated LUT boxes, graded live and sent to calibrated reference monitors and video village. Livegrade controls the LUT pipeline while hardware processes each camera signal.
- Per-camera LUT-box pipelines
- CDL, 3D LUT and colour-space transforms
- Calibrated monitoring and camera matching
- Looks carried into dailies and post
Dailies, storage & delivery
Footage moves from verified on-set media into an organised lab workflow for QC, secure storage, uploads and production handover.
- Six months of footage storage included
- Production uploads and managed delivery
- Look metadata prepared for post
- Longer-term storage available on request
CONTACT / THE DIGITAL WAVE
Let’s build your
onset workflow.
For availability, technical planning or a formal package quote, contact Nick directly.
Nick McLachlan
079 959 8132Nick@thedigitalwave.co.zaDIT · LIVE GRADE · LAB
South Africa · Available for local and travelling productions.
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