01 / PACKAGE BUILDER

Configure your DIT workflow.

Tell us what you are shooting. Your guide estimate updates as you build.

01Choose your quote level
02How many cameras?
03Choose a camera system
04Select recording codec
05Choose your crew
06Add workflow extras
07Add a production vehicle

Dedicated transport for the DIT cart, monitoring and data equipment.

08How many shoot days?
1DAY

02 / PACKAGE RATES

DIT, live grade & lab.

Clear starting rates for complete onset workflows. Final pricing follows the selected camera, codec, frame rate and data volume.

01 / BRONZE

Bronze package - one camera

A streamlined one-camera package for ProRes, XAVC and equivalent lower-data production codecs, with verified copies, QC monitoring and organised media.

From R 9,000
02 / GOLD

Gold package - one camera RAW

An expanded one-camera package for ARRIRAW, REDCODE, X-OCN, ProRes RAW and other high-data capture formats.

From R 13,000
03 / PLATINUM

Platinum package - multiple cameras

Our highest-capacity workflow for multiple cameras, high-speed capture and sustained high-data rates, with increased media and verification performance.

From R 15,500
CREW RATES
DITR 4,000 / day
DIT / Live GradeR 4,500 / day
TRANSPORT
DIT vanR 1,700 / day
Dedicated transport for the DIT cart, monitoring and data equipment.
WORKFLOW EXTRAS
In-camera live gradeR 6,000
Full live gradeR 12,000
Additional monitorR 2,500
UPLOADS
Daily upload serviceR 1,000 / day

Includes the first 30GB of uploaded data each day.

31–100GBR 15 / additional GB
Over 100GBR 10 / additional GB

Guide rates excluding transport unless selected. Discounts and final technical confirmation depend on production requirements.

03 / WHAT WE HANDLE

From camera card
to trusted image.

01 / ON-SET DATA

DIT data management

Secure camera and sound offloads to multiple destinations, using checksum verification to confirm that every copied file matches its source. Media is organised, logged and monitored throughout the shoot.

  • Three verified on-set copies
  • Checksum reports and traceable handovers
  • Clip, metadata and camera-roll organisation
  • Image QC, exposure checks and playback support
02 / IN-CAMERA LIVE GRADE

Looks at the camera

A streamlined live-grade setup applies approved monitoring looks through compatible camera outputs and controls, keeping the intended contrast and colour visible without building a full multi-monitor grading station.

  • Camera look and monitoring-LUT management
  • Fast matching between camera bodies
  • Reference stills and look continuity
  • Clean log recordings remain protected
03 / FULL LIVE GRADE

Colour-managed monitoring

Log SDI signals are routed through dedicated LUT boxes, graded live and sent to calibrated reference monitors and video village. Livegrade controls the LUT pipeline while hardware processes each camera signal.

  • Per-camera LUT-box pipelines
  • CDL, 3D LUT and colour-space transforms
  • Calibrated monitoring and camera matching
  • Looks carried into dailies and post
04 / LAB

Dailies, storage & delivery

Footage moves from verified on-set media into an organised lab workflow for QC, secure storage, uploads and production handover.

  • Six months of footage storage included
  • Production uploads and managed delivery
  • Look metadata prepared for post
  • Longer-term storage available on request

CONTACT / THE DIGITAL WAVE

Let’s build your
onset workflow.

For availability, technical planning or a formal package quote, contact Nick directly.